INTERNATIONAL STYLE AND TREND OFFICE
A key player on the European textile market, Gipitex stands out with fabrics blending synthetic and natural fibres, dyed or ready-to-dye, all of exceptional quality.
Continue reading “Gipitex: Quality weaving specialist”
The açai berry is the fruit of a South American palm tree grown primarily in Brazil. It is purple in colour and looks like a blueberry. For several years, there has been a real enthusiasm for this fruit, which boasts many health benefits and is sold in the form of juice, powder, capsules or frozen purées.
Continue reading “Açai: the antioxidant superfruit for beautiful skin”
The açai berry is the fruit of a South American palm tree grown primarily in Brazil. It is purple in colour and looks like a blueberry. For several years, there has been a real enthusiasm for this fruit, which boasts many health benefits and is sold in the form of juice, powder, capsules or frozen purées.
Continue reading “Açai: the antioxidant superfruit for beautiful skin”
The açai berry is the fruit of a South American palm tree grown primarily in Brazil. It is purple in colour and looks like a blueberry. For several years, there has been a real enthusiasm for this fruit, which boasts many health benefits and is sold in the form of juice, powder, capsules or frozen purées.
Continue reading “Açai: the antioxidant superfruit for beautiful skin”
After the widespread closures due to the pandemic, a number of stores are attempting to renew their selections and offer clever new ideas so that customers continue to desire, dream and shop despite the current context. In Copenhagen, Studio Viaduct has invited six artists and brands to take over the design of six window displays that can be seen from the street and are closed to the public.
Entitled “Between Spaces”, these new booths have thus become real little boutiques with a distinctive character that showcase craftsmanship. The products can subsequently be found in their e-shop, thus allowing customers to go window-shopping in complete safety.
The design magazine ARK Journal designed a window display comprising totemic sculptures, artists’ steles and the Noguchi lamp. All created in tones of beige and wood.
Selected by
Entirely in line with the minimalist trend, featuring wool loop pile and solid oak, we dive back into a world reminiscent of Charlotte Perriand for a minimalist and maximalist effect.
Selected byThe second Magniberg window display with the brands Nina Nørgaard and Cecilie Bahnsen adopts a bedroom ambience. Putting a spin on the store in this way and finding clothes directly in a living space allows you to imagine yourself in it. The feminine pastel tones invite customers into a warm Nordic atmosphere.
Selected byThe third window display created by Mathias Mentze is minimalist yet offers an invitation to intimacy. The screen motif was specially designed for Viaduct by Ana Kras and can be displayed as wallpaper in an interior. The Noguchi lamps go hand in hand with Pierre Chapo’s wooden stools.
Selected byDuring the second multi-brand session, three new guests and worlds were presented.
Atelier Axo invites us into an imaginary living room in which straight lines intersect. From the checked pattern to the geometric shapes on the sideboard, this interior with old-fashioned accents is enlivened with its colourful touches.
Plethora Magazine, the independent art publisher, and Plethora design studio have set up their installation with their brand Plethora Magazine. A cross between a magazine and a selection of fine art prints. A gentle and timeless brand in the light of the accelerated digitisation of our world. Here, we find ourselves at the heart of this library atmosphere where paper is king.
Selected byLast but not least, the vintage Norwegian store Lokaal Studio is genuinely interested in the quality of its materials. The studio looks to pay careful attention to the properties of materials and to their details, craftsmanship, shape and texture. This unique selection will soon be available in Studio Viaduct’s online store.
Selected byThis is how creativity is being renewed in these times and how new forms of retail are emerging, combining physical spaces with a digital component.
After the widespread closures due to the pandemic, a number of stores are attempting to renew their selections and offer clever new ideas so that customers continue to desire, dream and shop despite the current context. In Copenhagen, Studio Viaduct has invited six artists and brands to take over the design of six window displays that can be seen from the street and are closed to the public.
Entitled “Between Spaces”, these new booths have thus become real little boutiques with a distinctive character that showcase craftsmanship. The products can subsequently be found in their e-shop, thus allowing customers to go window-shopping in complete safety.
The design magazine ARK Journal designed a window display comprising totemic sculptures, artists’ steles and the Noguchi lamp. All created in tones of beige and wood.
Selected byEntirely in line with the minimalist trend, featuring wool loop pile and solid oak, we dive back into a world reminiscent of Charlotte Perriand for a minimalist and maximalist effect.
Selected byThe second Magniberg window display with the brands Nina Nørgaard and Cecilie Bahnsen adopts a bedroom ambience. Putting a spin on the store in this way and finding clothes directly in a living space allows you to imagine yourself in it. The feminine pastel tones invite customers into a warm Nordic atmosphere.
Selected byThe third window display created by Mathias Mentze is minimalist yet offers an invitation to intimacy. The screen motif was specially designed for Viaduct by Ana Kras and can be displayed as wallpaper in an interior. The Noguchi lamps go hand in hand with Pierre Chapo’s wooden stools.
Selected byDuring the second multi-brand session, three new guests and worlds were presented.
Atelier Axo invites us into an imaginary living room in which straight lines intersect. From the checked pattern to the geometric shapes on the sideboard, this interior with old-fashioned accents is enlivened with its colourful touches.
Plethora Magazine, the independent art publisher, and Plethora design studio have set up their installation with their brand Plethora Magazine. A cross between a magazine and a selection of fine art prints. A gentle and timeless brand in the light of the accelerated digitisation of our world. Here, we find ourselves at the heart of this library atmosphere where paper is king.
Selected byLast but not least, the vintage Norwegian store Lokaal Studio is genuinely interested in the quality of its materials. The studio looks to pay careful attention to the properties of materials and to their details, craftsmanship, shape and texture. This unique selection will soon be available in Studio Viaduct’s online store.
Selected byThis is how creativity is being renewed in these times and how new forms of retail are emerging, combining physical spaces with a digital component.
After the widespread closures due to the pandemic, a number of stores are attempting to renew their selections and offer clever new ideas so that customers continue to desire, dream and shop despite the current context. In Copenhagen, Studio Viaduct has invited six artists and brands to take over the design of six window displays that can be seen from the street and are closed to the public.
Entitled “Between Spaces”, these new booths have thus become real little boutiques with a distinctive character that showcase craftsmanship. The products can subsequently be found in their e-shop, thus allowing customers to go window-shopping in complete safety.
The design magazine ARK Journal designed a window display comprising totemic sculptures, artists’ steles and the Noguchi lamp. All created in tones of beige and wood.
Selected byEntirely in line with the minimalist trend, featuring wool loop pile and solid oak, we dive back into a world reminiscent of Charlotte Perriand for a minimalist and maximalist effect.
Selected byThe second Magniberg window display with the brands Nina Nørgaard and Cecilie Bahnsen adopts a bedroom ambience. Putting a spin on the store in this way and finding clothes directly in a living space allows you to imagine yourself in it. The feminine pastel tones invite customers into a warm Nordic atmosphere.
Selected byThe third window display created by Mathias Mentze is minimalist yet offers an invitation to intimacy. The screen motif was specially designed for Viaduct by Ana Kras and can be displayed as wallpaper in an interior. The Noguchi lamps go hand in hand with Pierre Chapo’s wooden stools.
Selected byDuring the second multi-brand session, three new guests and worlds were presented.
Atelier Axo invites us into an imaginary living room in which straight lines intersect. From the checked pattern to the geometric shapes on the sideboard, this interior with old-fashioned accents is enlivened with its colourful touches.
Plethora Magazine, the independent art publisher, and Plethora design studio have set up their installation with their brand Plethora Magazine. A cross between a magazine and a selection of fine art prints. A gentle and timeless brand in the light of the accelerated digitisation of our world. Here, we find ourselves at the heart of this library atmosphere where paper is king.
Selected byLast but not least, the vintage Norwegian store Lokaal Studio is genuinely interested in the quality of its materials. The studio looks to pay careful attention to the properties of materials and to their details, craftsmanship, shape and texture. This unique selection will soon be available in Studio Viaduct’s online store.
Selected byThis is how creativity is being renewed in these times and how new forms of retail are emerging, combining physical spaces with a digital component.
Already having been turned upside down and in major flux, the fashion world has seen its standards shift over the past few seasons, with the global Covid outbreak only accentuating these fundamental questions, namely the date and format of the presentations of the collections, or even the pertinence of fashion weeks…
These questions are nothing new as, already in late 2015, the CFDA – the Council of Fashion Designers of America – had considered several options for reorganising the way in which the new collections are presented during New York Fashion Weeks. And for good reason: “designers, retailers and editors have been questioning the relevance of Fashion Week in its current format for some time,” Steven Kolb, its CEO, explained to us.
Selected byAnd then from 2017 there followed a series of announcements and actions by top houses such as Burberry, which shows its women’s and men’s collections together, with all the clothes being immediately available for sale both in stores and online. Gucci has also made the decision to merge its men’s and women’s collections and only offer mixed shows.
Selected by“In a world that has become increasingly immediate, the current way of showing a collection four months before it is available to customers is an antiquated idea and one that no longer makes sense,” stated the American designer Tom Ford.
According to Demna Gvasalia, the artistic director of the Vêtements collective and the Balenciaga brand, there is a need to simplify the production process and get out of the “vicious circle of the current system”, an infernal whirlwind that “kills both the creativity and the business”.
Selected byAnd now what? Some are completely renouncing the fashion show, while others are arranging non-professional shows, an example set by Givenchy.
The post-lockdown period has led to new announcements… A few days ago, Gucci’s creative director, Alessandro Michele, announced that from now on he was going to choose his own tempo for presenting his collections and shows. The designer no longer wants to get caught up in the frenzied pace of fashion, a desire already expressed by several top houses.
Selected byIn a long post published on his Instagram account, Alessandro Michele explained that the upheaval caused by the coronavirus crisis has been an opportunity for reflection.
“These days of confinement, in a suspended time, I try to ask myself what is the meaning of my actions,” he writes in this post. “Our reckless actions have burned the house we live in. In my own small way, I feel the urgent need to change a lot of things in the way I work.”
A new chapter in fashion is undoubtedly beginning, in which we will all play a part…
Already having been turned upside down and in major flux, the fashion world has seen its standards shift over the past few seasons, with the global Covid outbreak only accentuating these fundamental questions, namely the date and format of the presentations of the collections, or even the pertinence of fashion weeks…
These questions are nothing new as, already in late 2015, the CFDA – the Council of Fashion Designers of America – had considered several options for reorganising the way in which the new collections are presented during New York Fashion Weeks. And for good reason: “designers, retailers and editors have been questioning the relevance of Fashion Week in its current format for some time,” Steven Kolb, its CEO, explained to us.
Selected byAnd then from 2017 there followed a series of announcements and actions by top houses such as Burberry, which shows its women’s and men’s collections together, with all the clothes being immediately available for sale both in stores and online. Gucci has also made the decision to merge its men’s and women’s collections and only offer mixed shows.
Selected by“In a world that has become increasingly immediate, the current way of showing a collection four months before it is available to customers is an antiquated idea and one that no longer makes sense,” stated the American designer Tom Ford.
According to Demna Gvasalia, the artistic director of the Vêtements collective and the Balenciaga brand, there is a need to simplify the production process and get out of the “vicious circle of the current system”, an infernal whirlwind that “kills both the creativity and the business”.
Selected byAnd now what? Some are completely renouncing the fashion show, while others are arranging non-professional shows, an example set by Givenchy.
The post-lockdown period has led to new announcements… A few days ago, Gucci’s creative director, Alessandro Michele, announced that from now on he was going to choose his own tempo for presenting his collections and shows. The designer no longer wants to get caught up in the frenzied pace of fashion, a desire already expressed by several top houses.
Selected byIn a long post published on his Instagram account, Alessandro Michele explained that the upheaval caused by the coronavirus crisis has been an opportunity for reflection.
“These days of confinement, in a suspended time, I try to ask myself what is the meaning of my actions,” he writes in this post. “Our reckless actions have burned the house we live in. In my own small way, I feel the urgent need to change a lot of things in the way I work.”
A new chapter in fashion is undoubtedly beginning, in which we will all play a part…
Already having been turned upside down and in major flux, the fashion world has seen its standards shift over the past few seasons, with the global Covid outbreak only accentuating these fundamental questions, namely the date and format of the presentations of the collections, or even the pertinence of fashion weeks…
These questions are nothing new as, already in late 2015, the CFDA – the Council of Fashion Designers of America – had considered several options for reorganising the way in which the new collections are presented during New York Fashion Weeks. And for good reason: “designers, retailers and editors have been questioning the relevance of Fashion Week in its current format for some time,” Steven Kolb, its CEO, explained to us.
Selected byAnd then from 2017 there followed a series of announcements and actions by top houses such as Burberry, which shows its women’s and men’s collections together, with all the clothes being immediately available for sale both in stores and online. Gucci has also made the decision to merge its men’s and women’s collections and only offer mixed shows.
Selected by“In a world that has become increasingly immediate, the current way of showing a collection four months before it is available to customers is an antiquated idea and one that no longer makes sense,” stated the American designer Tom Ford.
According to Demna Gvasalia, the artistic director of the Vêtements collective and the Balenciaga brand, there is a need to simplify the production process and get out of the “vicious circle of the current system”, an infernal whirlwind that “kills both the creativity and the business”.
Selected byAnd now what? Some are completely renouncing the fashion show, while others are arranging non-professional shows, an example set by Givenchy.
The post-lockdown period has led to new announcements… A few days ago, Gucci’s creative director, Alessandro Michele, announced that from now on he was going to choose his own tempo for presenting his collections and shows. The designer no longer wants to get caught up in the frenzied pace of fashion, a desire already expressed by several top houses.
Selected byIn a long post published on his Instagram account, Alessandro Michele explained that the upheaval caused by the coronavirus crisis has been an opportunity for reflection.
“These days of confinement, in a suspended time, I try to ask myself what is the meaning of my actions,” he writes in this post. “Our reckless actions have burned the house we live in. In my own small way, I feel the urgent need to change a lot of things in the way I work.”
A new chapter in fashion is undoubtedly beginning, in which we will all play a part…
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